Working with people to find the right place for a piece, or the right piece for a place, often involves lighting considerations. Here are some ways to think about light as you place and rotate the art you own, as well as make new art selections. Continue reading “Lighting Art”
The impossible happened late last month. Two paintings, puloined from the collector’s home in a burglary three years ago, resurfaced and have been returned to their owner. Finally reunited at a police station, the officer on duty said “this never happens”. The moment of recovery was ecstatic. The paintings are in my care now, getting cleaned up and repaired. Soon they’ll be home where they belong. The story illustrates the often avoided subject of misadventure; here are 7 tips for starters: Continue reading “The Purloined Paintings – 7 tips”
“I am considering selling a piece of artwork that I purchased.
What do I need to know?“
Last month I wrote about coherent collecting, and mentioned the continual evolution of private collections. It’s fun to talk about how artwork joins a collection, but how artwork moves out of a collection is also worth addressing. Possibilities include everything from reselling, charity auction, gifting, to (yikes!) dumping. Anticipating questions about reselling, and curious myself since selling art is part of my work, I’ve looked into the topic. Continue reading “Reselling Artwork”
Big in the news here this week is the reopening of the expanded San Francisco Museum of Modern Art. Among the attractions, the Doris and Donald Fisher collection, so vast it needs a multimillion dollar museum to house it. Sort of puts art collecting into a sphere that most of us can’t relate to. Art collections are started, built and shaped one object at a time. Many people have acquired one almost unaware, or at least unlabeled as such. Whether purchased, self created, or collected passively by gifts, it reflects its owners.
Luckily I get to see this process often.
Some things stand out for me about collectors’ choices. Continue reading “Coherent Collecting”
“Illegible”. That’s how the post office labeled a whole pile of my recent mailing of postcards. Pretty shameful for someone who makes their living drawing. Or… as a friend suggested, “they don’t teach cursive anymore.” Well, it was the nudge that took me into bringing our public front a little more up to date. Continue reading “Poor Penmanship?”
It’s so cool to see the paintings and drawings finding their way into the world, your homes. This fall, destinations in SF are Cathedral Hill, Bernal Hill, Potrero Hill, the Avenues. Beyond to Oakland, Burlingame, San Mateo, and even France. Which brings me to this month’s topic: fragile packages. Continue reading “Fragile Packages”
This month I call attention to the way people take art into their lives. It’s a weird art world out there. To keep doing what I do, I navigate pressures and cycles, failures as well as strength. It’s not without its moments of doubt. So to recognize moments of fulfillment is important. That’s where collectors come in. Continue reading “Art at Home”