A San Francisco street corner is where I first met Joan Lazarus nearly two decades ago. She was waiting at the cross walk in tall shoes, sunglasses, auburn hair up in a twist, a dancer’s carriage. We were outside the Cowell Theater in the Marina District, where she was producing the Summerfest/WestWave Dance Festival. I’d heard a lot about her. Dancer, teacher, arts administrator and as it turned out, collector of fine art and fun. Now years later on a glorious Saturday, I’m on my way over the Golden Gate Bridge, hundreds of sailboats skipping over the bay, to talk to Joan in her Marin County home. Continue reading “Collector Profile | Joan Lazarus”
“I am considering selling a piece of artwork that I purchased.
What do I need to know?“
Last month I wrote about coherent collecting, and mentioned the continual evolution of private collections. It’s fun to talk about how artwork joins a collection, but how artwork moves out of a collection is also worth addressing. Possibilities include everything from reselling, charity auction, gifting, to (yikes!) dumping. Anticipating questions about reselling, and curious myself since selling art is part of my work, I’ve looked into the topic. Continue reading “Reselling Artwork”
Big in the news here this week is the reopening of the expanded San Francisco Museum of Modern Art. Among the attractions, the Doris and Donald Fisher collection, so vast it needs a multimillion dollar museum to house it. Sort of puts art collecting into a sphere that most of us can’t relate to. Art collections are started, built and shaped one object at a time. Many people have acquired one almost unaware, or at least unlabeled as such. Whether purchased, self created, or collected passively by gifts, it reflects its owners.
Luckily I get to see this process often.
Some things stand out for me about collectors’ choices. Continue reading “Coherent Collecting”
“Illegible”. That’s how the post office labeled a whole pile of my recent mailing of postcards. Pretty shameful for someone who makes their living drawing. Or… as a friend suggested, “they don’t teach cursive anymore.” Well, it was the nudge that took me into bringing our public front a little more up to date. Continue reading “Poor Penmanship?”
John and I have seized an opportunity, and are taking a fearless group of performing artists along for the ride. Salon performances in a raw space, an experimental project. Continue reading “Cubic Space – performance lab”
Chuck Close said it best, “… if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.”
In setting out new work, I sift through an abundance of ideas, rather than await inspiration. I was asked recently about how I edit these ideas, so I thought I’d write a little about that this month. Continue reading “Selection – composing new work”
It’s so cool to see the paintings and drawings finding their way into the world, your homes. This fall, destinations in SF are Cathedral Hill, Bernal Hill, Potrero Hill, the Avenues. Beyond to Oakland, Burlingame, San Mateo, and even France. Which brings me to this month’s topic: fragile packages. Continue reading “Fragile Packages”
Freshly returned from a trip up the Mendocino coast, my mind’s full and I’m back in the studio. Field trips are part of the fabric of my work; a chance to see in different ways. Continue reading “Coastal Trip – field notes”
An Atlantic article has been generating talk lately, “Death of the Artist – Birth of the Creative Entrepreneur” by William Deresiewicz. While some parts resonated, others certainly drew a “hey, wait a minute!” from me. Is it really the “end of art as we know it”? To whom, and why, is the image of artist important? The definition of ‘artist’, art as commodity, working in multiple forms, and the role of money – all worthy topics. One topic was on my mind anyway – the balance of primary art work with supporting roles. Continue reading “Finding Balance”
This month I call attention to the way people take art into their lives. It’s a weird art world out there. To keep doing what I do, I navigate pressures and cycles, failures as well as strength. It’s not without its moments of doubt. So to recognize moments of fulfillment is important. That’s where collectors come in. Continue reading “Art at Home”